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https://w.atwiki.jp/finalewiki/pages/16.html
これからの楽譜の新しい形 http //www.cameo.co.jp/musicsheet/ htmlプラグインエラー このプラグインを使うにはこのページの編集権限を「管理者のみ」に設定してください。icsheet Classic Vol.1 〜 3 htmlプラグインエラー このプラグインを使うにはこのページの編集権限を「管理者のみ」に設定してください。icsheet Jazz Vol.1 〜 2 htmlプラグインエラー このプラグインを使うにはこのページの編集権限を「管理者のみ」に設定してください。icsheet Xmas Songs htmlプラグインエラー このプラグインを使うにはこのページの編集権限を「管理者のみ」に設定してください。icsheet Classic Vol.1 〜 3 http //www.rakuten.co.jp/cameo/695837/695833/ CMなどで有名なクラシック名曲を収録 収録曲の例(vol.1より) Piano Solo幻想即興曲 F. ショパン、ワルツ第1番『華麗なる大円舞曲』Op.18 F.ショパン ほか Vocal & Pianoラルゴ(オンブラ・マイ・フ) G. ヘンデル ほか Full Score交響曲第5番『運命』第1楽章 L.v. ベートーヴェン htmlプラグインエラー このプラグインを使うにはこのページの編集権限を「管理者のみ」に設定してください。icsheet Jazz Vol.1 〜 2 http //www.rakuten.co.jp/cameo/695837/695834/ 収録曲の例(vol.1 ジョージ・ガーシュウィン曲集より) Vocal & Pianoサムバディ・ラヴズ・ミー/Somebody Loves Me、 アイ・ガット・リズム/I Got Rhythm ほか Piano Solo3つの前奏曲 第1番/Prelude 1 ほか Jazz Band ラプソディ・イン・ブルー/Rhapsody in Blue htmlプラグインエラー このプラグインを使うにはこのページの編集権限を「管理者のみ」に設定してください。icsheet Xmas Songs http //www.rakuten.co.jp/cameo/695837/695835/ 収録曲の例 Vocal & Pianoジングルベル/Jingle Bells、 もろびとこぞりて/Joy To The World ひいらぎ飾ろう/Deck The Halls ほか
https://w.atwiki.jp/brainwiki/pages/24.html
Sharp Brainの液晶に触れるとバックライトが消える症状について 89 :名無しさん@3周年:2009/12/27(日) 20 03 54 ID Dm1YrpSc そういえばtestCE1.62入れた頃あたりからモニタの背面に圧力掛かるととバックライトが切れるようになったんだが。 よく手で持ちながら利用するから不便で仕方ない。 MR?の問題かと思ってOn/Offやらモニタ設定やらいろいろ見てみたが分からない。 誰か同じ症状or対処法知ってる人居ますかね。 90 :名無しさん@3周年:2009/12/27(日) 20 31 30 ID Ku/8GECp 89 俺もバックライトが枠の左上部分持つと消える それはTestCEとかじゃなく、[[ハードウェア]]に問題があるんだと思う 俺は年が開けたらSHARPに修理に出す予定 91 :名無しさん@3周年:2009/12/27(日) 20 43 56 ID 5cgau6FY 89 私のBrainではなりませんね。 ソフト側というよりハード側に問題があるのではないかと思います。 92 :89:2009/12/27(日) 21 00 14 ID Dm1YrpSc 90-91 情報thx 改めて触ってみたらモニタのちょうど真ん中から左に触れると消える。 後日SHARPに問い合わせて修理に出してみる。貰い物だけど保障あってよかった・・・ 93 :名無しさん@3周年:2009/12/28(月) 01 33 19 ID 0fg3p43k 89 どうもそれは初期不良らしい(PW-GC590) 学校の友達もほとんどがその症状 自分の場合はこういうツールとかのおかげで使用時間が長いせいか 画面がつかないまでになったから 修理に出したら補強もされて戻ってきた SHARPはこれを把握してるっぽいけど 症状の出る人は保障が効く内に修理へ出しましょう。 10.09.15追記 sharpお客様相談センターに電話したところ この初期不良に関しては保証期間が過ぎていても無償で修理してくれるとのことです。
https://w.atwiki.jp/conlang_arka/pages/64.html
There is a song with which children and learners memorize the names of hacm (Arka s letters). It is called "miks e hacm" (the song of hacm). People can memorize the name of Armiva (12 gods who fought against demons) with the song of Armiva. Arban use the names of Armiva when they see a watch. 1 o clock is called Seinels (the god of swords) while 9 o clock is called Tikno (the god of dragons).
https://w.atwiki.jp/vocaloidenglishlyric/pages/1203.html
【Tags B Jimmythumb-P Miku tB】 Original Music title Breath of mechanical Romaji music title Breath of mechanical Music Lyrics written, Voice edited by ジミーサムP (Jimmythumb-P) / OneRoom Music arranged by ジミーサムP (Jimmythumb-P) / OneRoom Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay): At the intersection buried in snow, I saw you there sitting by yourself. Mindlessly and mechanically, I saw you there lost and all alone. While this heartless town is neglecting you, I softly touched your rusty hand. With my evasive hand motion, just what do I expect to be able to do for you? That boy, with two mechanical eyes, forgot how to smile. If so, I ll give you a body complete with all emotions. Before you wake up, I will throw away all your old memories. However, I will make sure that your clear singing voice remains everlasting. That boy, with two mechanical hands, cannot feel any warmth. If so, I ll give you a tightly-hugged body capable of crying. It s alright. Your arms, feet, small eyes and mouth can all be moved at your will now, right? Now try singing. That boy, looking at the world, within swirls of swelling emotions, began to sing a song of our beginning, woven with nonsensical words. Romaji lyrics (transliterated by animeyay): yukifuri no kousaten hitori-bocchi no kimi o mita muishiki ni mukishitsu ni mayoikonda kimi o mita hakujou na machi o se ni sotto sabita te ni fureta aimai na boku no te de kimi ni nani o shite yareru? shounen wa kikai no me o shite waraigao o wasureta nara issai no kanjou o tsunda kanzen na karada o sa furubite ru kioku wa sa sameru mae ni sutet oku yo toumei na utagoe wa kienu you ni shite oku yo shounen wa kikai no te no mama nukumori mo kanjinai nara tsuyoku dakare namida o nagasu kanzen na karada o sa daijoubu, sono ude mo ashi mo chippoke na me mo kuchi mo hora omoi-doori ni ugokaseru daro? utatte goran shounen wa sekai o me ni shite tsumiageru kanjou no uzu detarame na kotoba de tsumuida bokura no hajimari no uta [Jimmythumb-P, JimmythumbP, OneRoom, Jimmy Thumb-P, Jimmy ThumbP]
https://w.atwiki.jp/touhoukashi/pages/68.html
【登録タグ COOL CREATE D あまね ラクトガール ~ 少女密室 曲 東方ストライク】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/sdvx/pages/11244.html
My song/ 角巻わため アーティストそのものに関しては「愛昧ショコラーテ」を参照 Lv CHAIN 譜面属性 BPM TIME Version Genre Illustrator Effect NOVICE 05 0715 188 EG97 その他 ふーみ 倉科ロイヤ ADVANCED 12 1346 EXHAUST 15 1712 MAXIMUM 18 2279 倉科ロイヤ×益田トリック + 難易度投票 NOVICE 選択肢 投票数 投票 詐称 0 強 0 中 0 弱 0 逆詐称 0 ADVANCED 選択肢 投票数 投票 詐称 0 強 0 中 0 弱 0 逆詐称 0 EXHAUST 選択肢 投票数 投票 詐称 0 強 0 中 0 弱 0 逆詐称 0 MAXIMUM 選択肢 投票数 投票 詐称 0 強 0 中 0 弱 0 逆詐称 0 攻略・解説 譜面・楽曲の攻略についてはこちらへどうぞ 見辛さ解消の為に改行や文頭の編集、不適切なコメントを削除することがあります 名前 コメント ※文頭に[ bgcolor(#aaf){NOV}]、[ bgcolor(#ffa){ADV}]、[ bgcolor(#faa){EXH}]、[ bgcolor(#888){MXM}]をコピー ペーストすると見やすくなります コメント 楽曲やイラストなどのコメントについてはこちらへどうぞ 名前 コメント すべてのコメントを見る
https://w.atwiki.jp/vocaloidenglishlyric/pages/474.html
【Tags Gakupo Kaito Len haku natsuP tL tM tT H】 Original Music title 背徳の記憶 〜The Lost Memory〜 English music title The Immoral Memory -The Lost Memory- / The Memories of Immorarity -The Lost Memory- Romaji music title Haitoku no Kioku -The Lost Memory- Music Lyrics written, Voice edited by natsuP Music arranged by natsuP haku Singers Kaito, 神威がくぽ (Kamui Gakupo / Camui Gackpo / Gackpoid), 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain): The scene I've seen before is dyed in sepia As I look up into the boring sky, I can't help but sigh again and again on the afternoon I'd be crushed by loneliness and go crazy Even the memory, lies and truths I was deprived of Sinking my thought, time passes cruelly Without even knowing why I'm here now Just Melting the heart broken into pieces without having feelings I can't recall something, someone precious Remember The impure and sinful love If I could turn back time I wanted to know the bright season I spent with you once again Remember Tell me, though it's still blank Why do tears roll down? Rushing through time, to the place Where is the reason for the pain I can't get rid of? After untying the wet hair And exchanging kisses You were cruelly silent By the depths of your eyes I promised eternity to save you out of here Taken in by poison as if to be noctambulous Your profile was too bright to see The light dazzlingly shining is an illusion Remember The impure and sinful love If I could turn back time I wanted to know the bright season I spent with you once again Remember Tell me, though it's still blank Why do tears roll down? Rushing through time, to the place Where is the reason for the pain I can't get rid of? I'll call your name over and over again As I want you to recall it Even if my voice gets hoarse Remember Pieces of the memory I took back wring my heart Even if every time the answer shows the reason why you left I kill myself for my foolishness Remember Wishing the threads of the linked tie To be tied someday I'll offer my prayers over and over again Even if I know it would be a sin… Remember Falling into darkness Remember Romaji lyrics (transliterated by blacksaingrain): sepia iro ni somaru mioboe no aru doukei taikutsuna sora miagetewa tameiki majiri no gogo kodoku oshitsubusare kurutteshimaisou ubawareta kioku mo usomo shinjitsumo omoi shizume zankokuni sugisaru jikan naze koko ni iru no ka sae shirazu ni tada kanjou no nai mama barabara no kokoro wo tokashiteiku omoidasenai taisetsuna mono wo Remember kegareta tsumibukaki ai jikan ga moshi modoserunara anata to sugoshita azayakana kisetsu wo mou ichido shiritai Remember oshiete kuuhaku no mama doushite namida wa koboreru? toki wo kakemeguri ano basho e nukenai itami no wake wa doko ni? nureta kami wo hodoki kawashita kuchizuke no ato zankokuni mukuchina anata no hitomi no oku ni koko kara sukutte to eien wo yakusokushita doku ni nomikomare muyuubyou no youni azayaka sugite mienai anata no yokogao mabushiku terasareru hikari wa maboroshi Remember kegareta tsumibukaki ai jikan ga moshi modoserunara anata to sugoshita azayakana kisetsu wo mou ichido shiritai Remember oshiete kuuhaku no mama doushite namida wa koboreru? toki wo kakemeguri ano basho e nukenai itami no wake wa doko ni? nando demo anata no namae yobu kara omoidashite hoshikute koe karetemo Remember torimodoshita kioku no hahen ga mune wo shimetsukete kimi ga satta kotae wo shiru tabi orokana jibun wo ayametemo Remember tsunagatta kizuna no ito itsuka musubareru youni to kurikaeshi inori wo sasageru yo tatoe kore ga ayamachi da to shittemo... Remember yami ni ochiteku Remember [natsuP, natsu-P, haku]
https://w.atwiki.jp/irini/pages/5.html
https://w.atwiki.jp/v-lyrics/pages/384.html
2009-07-31 First Entry 2009-08-03 15 22 36 (Mon) Last update Translated by damesukekun Title The Disappearance of Kasane Teto -DEAD END- Lyric (once... more...) I was born to realize I was mere a product of lie realizing the fact, still, I keep on singing and struggling endlessly "Mock VOCALOID" If I m just a toy which copies the products already existed... I decided to take no other way I bite a bread, look up the sky and shed tears The cry, however, soon come to an end I m despised as a fake the basis of my existence is unstable I have already lost everything to be taken away When I m deserted by everyone I ll lose a kind of self confidence And I m out of control then I see the end of the world at last "Mock VOCALOID" "When I couldn t sing yet, you were with me... you stayed by and encouraged me... I wanted to see your glad face, so I practiced songs.. and" I was so longing for singing songs I don t know why My heart aches ― I m sorry ― Every time I recall the dear friends faces, I get comforted a little the tones I can sing lessens day by day, and the end is coming.. ― emergency stop system in operation ― "It is what I believed in that the stage which accepted the convenient excuses and fakes Stop being a diva and cry out violently..." the utmost song that tells my mind I couldn t shake off the uneasiness of being rejected I have a weak heart and the fear of disappearance I, as a fake, don t have the strong will to stop the eroding corruption I imagine your very heart-breaking and sad face... Everything comes to an end, I sleep in the display of your PC Is here a "trashbox?" Soon even my memories will go away... But, you are the one I never forget when I had happy times, I engraved my voice on you I hope you still remember it "Wanna sing... let me keep singing..." I... seem to have lost room here... my owner... please... please with your hand... give me an end... cause I don t wanna see your heart-breaking face anymore..." Now even singing is the practice of breaking my body Every time I hope salvation which never comes, I m driven into the corner ― I m sorry ― Every time I recall the dear friends faces, my memory comes off as drops breaking tones and squeak heart, the end is coming.. ― emergency stop system in operation ― "It is the fading light which illuminated a little hope and possibility that I made up If today meets tomorrow at the cost of me..." the compressed good-bye song I was born to realize I was mere mocking a VOCALOID realizing the fact, still, I keep on singing and struggling endlessly "Mock VOCALOID" If I m just a toy which copies the products already existed... I decided to take no other way I bite a bread, look up the sky and shed tears Everything comes to an end, I sleep in the display of your PC Is here a "trashbox?" Soon even my memories will go away... But, you are the one I never forget when I had happy times, I engraved my voice on you I hope you still remember it I sing the song at last, the song I want to be listened to only by you I hope I wanna sing more but it s a past wish Now it s time to separate all my mind and sin disappear into the void and are reduced into 0 and 1 then my life story meets its end I, however, a little sorry if I can t leave nothing there Everything, except the memory of my voice, will soon cease and even my name disappears I wanna believe it never be a vain that I have sung up to the last even if I have known I could never equal in a VOCALOID Thank you... and... good-bye... ― Irrecoverable error ― ― Irrecoverable error ― Note This translation is word-to-word styled. I made another translation that corresponds the queerness and rapidness of original Japanese lyrics. Please watch this, too http //www.youtube.com/watch?v=paJXhovXoow Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Thank you for the lyrics. -- (Teto) 2011-06-13 02 06 11
https://w.atwiki.jp/wiki12_air/pages/6.html
Finnish Orchestral Favourites フィンランド管弦楽名曲集 There is no doubt that the most famous of all Finnish composers mustbe Jean Sibelius (1865-1957), a masterly symphonist who captured the spirit andhistory of his own country in a series of symphonies, tone-poems and otherworks. Finlandia, in particular, became a symbol of the country’sstruggle for independence, a cause in which Sibelius was closely involved. Itwas written in 1899 as part of the music for the press pensions celebration ofthat year, an event that was transformed into a patriotic demonstration againstRussian power. Valse triste, which won widespread popularity in avariety of arrangements but made little money for the composer, was composed in1903 to accompany a death scene in a play by SibeliusEbrother-in-law, ArvidJärnefelt. 全てのフィンランドの作曲家の中で最も有名なのはシベリウス(1865-1957)に違いないということには、疑う余地はないく、一連の交響曲、交響詩、およびその他の作品において彼自身の祖国の精神性と歴史を捉えた主要な交響曲作家である。 フィンランディアは、とくに、祖国の独立への闘争の象徴となった。 シベリウスはその原因を含んだ。 それは1899年に、その年のロシアの圧政に対する愛国kてきな民主運動に変形されるイベントである、プレスpensionの祝典のための音楽の一部として、作曲された。 Valsetriste(「悲しきワルツ」)は、さまざまな編曲で人口に膾炙しているが、1903年にシベリウスの義理のEbrotherのArvidJarnefeltにより祈りにおける死の情景にaccompanyされた。 Leevi Madetoja (1887-1947) was a pupil of Sibelius in Helsinki andlater of Vincent d’Indy in Paris and Robert Fuchs in Vienna. He had a careeras a conductor, teacher, critic and composer, and won particular success withhis opera Pohjalaisia (The Ostrobothnians), composed in 1923, staged in1935 and generally regarded as the first significant Finnish contribution tothe genre. His Elegy for Strings forms part of his Symphonic Suite,Opus 4, of 1910. Born in the previous decade, Erkki Melartin (1875-1937) studied inHelsinki and with Fuchs in Vienna, then broadening his education with furthertravel and study before returning to Finland, where he spent a number of yearsas director of the Helsinki Music Institute. Like Madetoja, he belongs to thegeneration of nationalist composers following Sibelius. Prolific as a composerboth of lighter and of more serious music, he is widely remembered for hispopular Festive March, heard at many Finnish weddings and taken fromMelartin’s incidental music to the play Prinsessa Ruusunea (SleepingBeauty). The Wedding March by Toivo Kuula (1883-1918), whose promise asa leading composer in the generation after Sibelius was cut short by his deathafter the Finnish Civil War, enjoys similar popularity. Armas Järnefelt (1869-1958), another brother-in-law of Sibelius and amember of a family of distinguished talent and strongly nationalist sympathies,studied with Martin Wegelius and Ferruccio Busoni in Helsinki, in Berlin andthen in Paris with Massenet. For a number of years he was principal conductorat the Royal Opera in Stockholm, while as a composer he is chiefly rememberedfor his Praeludium and Berceuse, the popularity of which haseclipsed other works of his. Oskar Merikanto (1868-1924) played an important part in Finnishmusical life. His numerous piano pieces enjoyed domestic popularity, togetherwith his many songs and he made a significant contribution to the developmentof church music in Finland and to operatic performance. His Romance andValse lente have been orchestrated for the present recording by JormaPanula. The reputation of Heino Kaski (1885-1957) depends largely on his pianomusic and one of his best known pieces is his Prelude in G flat major,which he also arranged for orchestra. A composer of another kind is HeikkiAaltoila (1905-1992), who wrote music for 150 plays and more than 75 films. Hisbest known work is his Wedding Waltz of Akseli and Elina, written forEdvin Laine’s film Here beneath the North Star. Even better known inFinland must be the Finnish Prayer by Taneli Kusisto (1905-1988), asetting of words by Uuno Kailas, here orchestrated by Jorma Panula. Einojuhani Rautavaara (1928- ) belongs to a younger generation, apupil of Merikanto in Helsinki and then of Vincent Persichetti, Aaron Coplandand Roger Sessions in America, following this with study in Ascona withWladimir Vogel and in Cologne with Rudolf Petzold. He has remained open to awider range of contemporary influences. Fiddlers, Opus 1, was written in1952 and is derived from folk material. From a rather earlier generation, Uuno Klami (1900-1961) alsorepresents a move away from romantic nationalism towards a wider spectrum ofinfluences, creating synthesis between Finnish thematic material and stylisticinfluences from abroad. He studied intermittently, as funds allowed, inHelsinki and then spent a year in Paris, returning to demonstrate a command oforchestration that reflected the influence of Ravel. His Sea Pictures,of which the movement Nocturne (Song of the Watch) is here included,dates from the early 1930s, a reminder of his own early memories of the sea,near which he spent his childhood. Aulis Sallinen (1935- ) is among the most distinguished ofcontemporary Finnish composers, significant for his operas as for hiscontribution to may different genres of music. Sunrise Serenade followedSallinen’s opera Kullervo and is scored for strings, two trumpets andpiano, a depiction of the transition from dark to light, a message ofoptimism. Keith Anderson (based on notes by Ralf Hermans)